Because she prefers to confront spectators with their perceptions rather than with a moralizing discourse, Ntando Celo uses singing, music, dance, multimedia to theatricalize her battles and share her concerns. Wasted Land recalls the climate emergency in a cathartic and jubilant way. An alternation of multidisciplinary sequences, frenzied, funny, cruel or contemplative follow one another in a decor-landscape in permanent metamorphosis. The catastrophic damage caused by fast-fashion to which ecological initiatives respond that are as weak-willed as they are hypocritical, are staged in a merciless face-to-face, opposing poor countries and Western powers.