Summoning the collective imagination and symbolism associated with twinning, the duo Samir Kennedy/Sean Murray addresses the burning subject of economic, social and intimate precarity in a performance that fluidly activates the feminine and masculine, liminal identities and queer existentialism. With the spontaneity offered by Do It Yourself aesthetics, the recycling of objects found in abandoned spaces and the technical use of theatrical machinery, the two accomplices create a raw microcosm. A subversive revue that testifies to the visceral need to speak with directness and self-mockery about the vertigo of existence.